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#Mass rename seinfeld episodes series#

'An Inconvenient Lie' was also notable for giving Frank Lundy (RIP) a speech that tore to shreds any attempt by Dexter - or the audience - to justify his murders as some kind of social good, back in a time when the series viewed Dexter with a lot more moral ambiguity than it does now.

So seeing him so torn up about saving the little boy didn't ring true to me, even though part of Dexter's inner struggle was the realization that this killing would be his fault for having foiled Arthur's suicide attempt. This point was made most explicitly in season two's 'An Inconvenient Lie,' when Dexter didn't really want to alter his killing timetable even if it meant he would stop the evil car salesman from claiming another victim. That he was saving other people's lives was a byproduct, but one that meant little or nothing to him. Okay, here's my issue with 'Lost Boys' (which is more of an issue with the series as a whole): in previous years, the show made it clear that Dexter didn't kill bad guys because he was worried about their victims, but because he had a need to kill, and Harry had drilled it into him that these were the only people he could/should kill. Spoilers for last night's 'Dexter' coming up just as soon as I remind you that 'Project Runway' is on.

#Mass rename seinfeld episodes full#

What did everybody else think? Click here to read the full post But if this is going to be the last time I write about 'House' for a long time, at least we're going out on a much higher note than 'Ignorance Is Bliss.'

'Chuck' is back in this timeslot in January, and that's going to get my top viewing/blogging priority for the time being. It was the contrast to what we've come to expect from 'House' that made this hour so interesting, and, again, you can't go to that well more than once before it starts to feel as formulaic as the regular show.īut after being so frustrated with the last batch of episodes, 'Wilson' at least reminded me why I keep watching this damn show even when I'm struggling to remember that I used to love it.

#Mass rename seinfeld episodes pro#

We got to see what the cases we've grown so used to must look like when only seen in Wilson-sized bites (the overweight tennis pro on the popcorn diet, House appearing soaking wet), and we got to see what it's like for the sensitive, empathic to a fault Wilson to try to play House's game.Īnd, for that matter, we got to see what it's like for House to be the one on the other end of the differentials and the wrong turns and insane treatments.Īnd we got to see Robert Sean Leonard, who has said he likes the easy workload (and accompanying fat paycheck) of being in a couple of brief scenes a week, rise to the challenge of carrying the show for once, with Hugh Laurie gracefully, beautifully working in support of him.Īn ongoing Wilson-centric series obviously wouldn't work. 'Wilson' was good because it showed us House's world through someone else's eyes - not in a gimmicky, Hey, look at our Very Special Episode! way like the Mos Def episode last year, but in a more thoughtful, organic way. But for one night, at least, 'House' was compelling, and touching, and funny, and not really annoying at all. And things can go very, very wrong.' -HouseI doubt 'Wilson' is going to get me writing about 'House' again full-time, because the things that made it so strong were (like 'Broken') not something the show can do every week, or even ever again, period. Robert Sean Leonard pulls me back in! Some thoughts on the Wilson-errific 'House' coming up just as soon as I stop thinking about German porn.